Occupying virtual space inevitably requires an adjusting and reforming of the structures of space, movement and time. Virtual worlds can allow a user to transcend barriers and borders that are less flexible outside of the virtual realm. Whether the barriers are political, physical or psychological, the attraction for the user of Second Life lies in the opportunities that these kinds of transcendence offer.
My works hinge on the notion of self-portraiture, as I am essentially dealing with the online incarnations of myself. I am particularly interested in considering the word avatar as a vehicle, synonymous with the notion of multiple selves; performative, promotional, fantasy, representational.
My works are representative of the kind of disconnection experienced when the user is no longer directly controlling their avatar and the programme creates a new kind of pseudo-autonomy for the simulated, extended self. Slowly and delicately, looping and repeating, suspended and animated, they never progress nor regress; the state of suspended animation.
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