Suspended Animation: from HOKUSAI to OCTOPUSSY to SECOND LIFE

2.11.09

from HOKUSAI to OCTOPUSSY to SECOND LIFE

Octopussy

POSTED BY XENI JARDIN, NOVEMBER 9, 2004 12:55 PM | PERMALINK

Manuel on Buffoonery posts this interesting series of pointers to tako porn.

Whybark got me going on Japanese octopus porn with this tip: famous ukiyo-e painter Hokusai's awabi fisher and octopus (c.1814). Fast-forward to 2001, when Masami Teraoka paintedSarah and Octopus/Seventh Heaven. Toshio Saeki's Octo-girl takes the classic tentacle porn for a spin.
A B-movie was made about Hokusai's life called Edo Porn. Here are images from the bizarre octopus sex scene. Check out the eyes on that thing--just like the painting!
What's up with the Japanese obsession with octopus sex? ~~I'm still looking into it.~~Check the comments for the definitive guide. I did find this one strange story on Dr. Kilmarnock's Obscure World of Victorian Erotica: Tentacles of Desire: The Man who Loved Cephalapods. Look at that old pervert! It's me in 40 years!
For scientific posterity, here's some information on actual octopus sex, including a line drawing of hot hectocotylus/mantle cavity action. And here's the original octopus porn link that started it all.

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Introduction

Occupying virtual space inevitably requires an adjusting and reforming of the structures of space, movement and time. Virtual worlds can allow a user to transcend barriers and borders that are less flexible outside of the virtual realm. Whether the barriers are political, physical or psychological, the attraction for the user of Second Life lies in the opportunities that these kinds of transcendence offer.

My works hinge on the notion of self-portraiture, as I am essentially dealing with the online incarnations of myself. I am particularly interested in considering the word avatar as a vehicle, synonymous with the notion of multiple selves; performative, promotional, fantasy, representational.

My works are representative of the kind of disconnection experienced when the user is no longer directly controlling their avatar and the programme creates a new kind of pseudo-autonomy for the simulated, extended self. Slowly and delicately, looping and repeating, suspended and animated, they never progress nor regress; the state of suspended animation.

Project Overview

During the first semester my work focuses around my exploration of virtual space. I am interested in what it means to embody virtual spaces and how these kind of spaces have come to shape our lives. This blog will document my explorations of Second Life and other social networks, my research, ideas and artworks that begin to deal with these concepts. My understandings and ideas about the writing of William Merrin and N.Katherine Hayles, Donna Haraway and Anthony Vidler among the work of artists such as AES+F, Micha Cardenas, Pipilotti Rist and many more will appear here.

While researching I have engaged in many different forms of networking and some of the work I complete will also be displayed on a Facebook group page I have created, O.S.N.A.A -Online Social Networking Addicts Anonymous.

Second semester I am working toward my completion of my project for SITE in Nov. I'll continue to update the blog with thoughts, ideas, pictures, video, frustrations....

Essentially I'm now beginning my final installation project. This will incorporate several video and object works that come together as a body of work for assessment. I'm thinking of a working title of 'Suspended Animation: Between Myself and an Other' (OR Another)....Still an exploration of my online self, understanding online experience as conflicted, uncanny, uneasy, indescribable, affective, communicative, surreal.